Sep 15, 2014

Comic Book Chaos #2 - Ann Nocenti's Daredevil

part 3 of the Born Again story arc by Miller/Mazzucchelli
One of the most thankless tasks, in any profession, is following someone regarded as the best. In comic books, following Frank Miller in the 80's would be like following Einstein at a comedy club after he's finished his set with the punchline: E=mc². Or something. You get my drift. Either way, Miller moved from Marvel's Daredevil to write the career defining Batman series "The Dark Knight Returns" for DC. He also left after writing probably the most well known and loved Daredevil story ever: Born Again.

Ann Nocenti, editor of Uncanny X-Men, got the call to take over from Miller. Often forgotten, sandwiched between superstars like Miller, Kevin Smith (yes, Kevin Smith the movie director) and Brian Michael Bendis, I believe Nocenti wrote some of the best Daredevil stories ever. She moved away from Miller's noirish crime stories to tackle more societal issues, managing to broaden the scope of the character while not losing sight of who he was and what he stood for.

Matt Murdoch formed a free law clinic with his recovering addict girlfriend Karen Page. He tackled things like slumlords, the illegal dumping of chemicals and aligned the character more with the residents of Hell's Kitchen. Nocenti's liberal political ideas did not sit well with many fans, but it often took the character in interesting new directions.

Hot town...summer in the city...

The status quo did not last long as the giant Marvel crossover event "Inferno" hit Daredevil too. With John Romita Jr now providing regular art, this is where the series hit its stride. As New York is devoured in the Inferno, Daredevil battles demons, both real and imagined, as he fights for his life. He crosses path with new villain Typhoid Mary...

Crossing paths with Typhoid Mary. Ahem.

...his clinic is destroyed and his girlfriend runs away. He is battered and broken. He becomes a drifter in upstate New York as he attempts to put his life back together.

Throughout Nocenti's four and a half year run, she never shied away from difficult subject matter or confronting her hero with himself. During Matt's sojourn in upstate NY, he crosses paths with Blackheart and Mephisto who try to corrupt him, then break him and when that fails, just kill him. DD is literally dragged through hell and eventually ends up back in Hell's Kitchen believing himself to be Jack Murdoch (his own father) and a boxer. A blind boxer. Meanwhile, someone is masquerading as Daredevil in an attempt to sully his reputation. Nocenti concludes her run with Daredevil trying to win back his good reputation.

Yeah...THAT Mephisto...
It's hard to encapsulate Ann Nocenti's tenure on the book without going into much greater detail. Often, Nocenti would tackle the metaphorical side of the Daredevil, taking a human with extraordinary skills and having him face off against demonic entities in a battle over his own mind and his own beliefs. Other times, Daredevil met people who believed differently from himself but were put in peril where he had to pick a side. Often, the line between right and wrong was obfuscated.



#242 - "Caviar Killer" was the first issue of Dardevil I owned and the reason I picked up more. Perhaps no surprise that I rate Nocenti's run so highly.

Ann Nocenti

Ann Nocenti wrote Daredevil (vol 1) #236, #238-257 & #259-291.





GSY

Sep 1, 2014

Comic Book Chaos #1 - One of the Lucky Ones


One of the lucky ones

Superheroes used to be better-known for their four-color shenanigans in comic books than their hi-definition antics down at your local IMAX theater. In fact, comic books almost faded into obscurity as comic book shops closed, print runs declined and the only people who cared about them were a generation of fans hanging onto their childhoods. I don't deny I am one of those people. I am one of the lucky ones, born at just the right time to see comics change from kids entertainment to mature, grown-up storytelling.


The Golden Age


Yours for a paltry $3.2 million...

The first appearance of Superman (1938) is regarded by collectors as the beginning of The Golden Age of comics. Batman (1939), Captain America (1941) & Wonder Woman (1941) were also born during this period. The recent $3.2 million sale of the "holy grail" copy of Action Comics #1 shows that interest in these characters is still through the roof, although most people know these characters through television, movies or more modern versions found in today's comic books.


The Silver Age


Spidey didn't even have his own comic book...

Marvel Comics burst onto the scene in the early 60's with a plethora of (mostly radioactive powered) new characters. The Silver Age gave us Spider-man (1962), The Fantastic Four (1961), Thor (1962), The Incredible Hulk (1962), Iron Man (1963) and X-Men (1963), but the beginning of this period is normally marked by the revival of a Golden Age hero: The Flash (1956) by DC. The Silver Age marks the second big comics boom and importantly the arrival of Marvel comics on the scene.


The Bronze Age

I was born during The Bronze Age...not the ACTUAL Bronze Age...but the period marked by "darker" and more socially relevant stories that started in the early 70's. Marvel and DC both embarked upon bringing more diversity to their characters and comic lines. Looking back, some of these characters now seem horribly stereotyped, however, many of them have gone on to become well loved characters like Luke Cage, John Stewart (The Green Lantern, not the comedian), Falcon and Cyborg.

The X-Men revamped their team into a multinational, multi-ethnic group which would eventually be led by one of the most well-known characters from this period: Storm.



Storm kicking arse armed only with an awesome mohawk!

Spider-man dealt with the death of his girlfriend, Gwen Stacy. Anti-heroes like Blade, The Punisher and Ghost Rider emerged as comic books bolted towards the mid-80's and the Modern Age.


The Modern Age

I was thirteen years old in 1986 when DC Comics blew up the comic book landscape with the release of Frank Miller's Dark Knight Returns and Alan Moore's Watchmen.




Miller started his deep, psychological exploration of hero and anti-hero concepts with his run on Daredevil. He fudged the lines of good guy and bad guy and challenged the reader constantly with the shifting moral landscape. The Dark Knight Returns allowed him to challenge Superman's purity of purpose with Batman's moral ambiguity.

Alan Moore also took generally accepted superhero conventions and turned them upside down in his seminal work, Watchmen. Both Miller and Moore opened the door to edgier, more serious and complex storylines in comics.


DC continued to shake things up with their Vertigo line, which included Constantine, Swamp Thing and Sandman, while, over at Marvel, Wolverine quickly became one of the most popular characters in comic book history.


All I had to do was wait...

When Tim Burton's Batman hit the theaters, I thought it was just a matter of time before I would get to see Wolverine, Storm, Nightcrawler and Colossus on the big screen, but despite Batman's box office, Marvel just wasn't in the right place to make movies to compete with DC/WarnerBros. So, a whole decade passed before I got to see the X-Men on the big screen.

What still amazes me, fifteen years after the X-Men movie, is that the comic book characters rule the box office. And what's most surprising of all, these movies are based on characters created between 35 and 80 years ago.







I started collecting comics at possibly the most important time in their history. In my lifetime, technology has advanced to the point that the four-color images of my childhood comics are now painted in digital brush strokes on a gigantic movie screen. I'm fortunate to be around to see the heroes of my childhood become movie stars. Sadly, many of their creators have passed away, some long before they were able to witness the full impact and reach of their creations.


GSY